News

Kim Rice and Paul Rucker Critique American History Through Materiality

From the article:

What conversations could occur, our team wondered, if we paired the work of Kim Rice and Paul Rucker, two artists who use specific historical events and documents to offer an unflinching view of the reality of race in America? The result has been Liberty and Injustice, a compact but dense exhibit that examines gun violence, lynching, the role of police, inheritance, redlining, and white privilage.

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Crafting Perspective: Kim Rice on Art, Whiteness, and '[RE] Birth of a Nation (Interview)

From the Truth In This Art podcast:

Dive into a compelling conversation with Kim Rice, the visionary behind the art exhibition '[RE] Birth of a Nation.' Kim unpacks how crafts like crocheting serve as social commentary on systemic racism and inequality. Learn how her art is influenced by cities like New Orleans and Baltimore, and don't miss her transformative exhibit, '[RE] Birth of a Nation,' now showing at Gallery in the Sky.

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Create art with Kim Rice

October 13, 2023. Art After Hours: Making Her Mark

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Artscape B23 exhibit to showcase Baltimore history and culture (Interview video)

From CBS News:

Twenty-seven floors on top of Baltimore's World Trade Center offer the best views of the city. More importantly, it features the work of an artist who will be on display at this year's Artscape exhibition entitled B-23.

This exhibition B23 is very important because it gives artists, visual artists, fine artists a platform to shine, said Kirk Shannon-Butts, Senior Curator & Public Art Manager for the Baltimore Office of Promotion and Arts.

View the full feature at WJZ news

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Picturing the Constitution

Kim Rice will be part of the group exhibition Picturing the Constitution at the Old Stone House in Brooklyn, New York. The exhibition invites artists to respond to an aspect of the Constitution of the United States, including its amendments and interpretations by the Supreme Court and various governing bodies throughout history. The show opens October 22, 2023.

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MSAC grant

Kim Rice has received a creativity grant from the Maryland State Arts Council for her upcoming exhibition at Gallery in the Sky.

Bmore Art magazine

Kim Rice is in issue 15 of Bmore Art magazine, the Migration issue. Keep an eye out!

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Top of the World / Gallery in the Sky

Kim Rice's solo exhibition ReBirth of a Nation will be at the Top of the World Gallery September 7th through November 19th. Opening reception is Thursday, September 7th.

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Group Exhibition

Kim Rice will be part of an exhibition at School 33. May 6th through July 22nd 2023. Reception is June 22nd from 6 to 8pm.

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Angles

Group exhibition Richman gallery at the Park School. Through February 24, 2023.

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Studio Visit – Kim Rice

This summer, Alex Ebstein interviewed Kim Rice for Inertia. Studio Visits. His review begins:

Kim Rice is an artist who transforms everyday materials and personal imagery into intricate, often large-scale installations that explore systemic racism as it has affected physical geography and personal history. I met Kim through her residency at Goucher College as the Unobskey Visiting Artist in Modern and Contemporary Art and had the pleasure of learning more about her work and process through conversations both in her studio and on campus. Her labor-intensive pieces are impeccably crafted, drawing viewers from across a space with their beauty, and delivering their critical content on closer approach. I met up with Kim in her studio at School 33 in Federal Hill to continue our conversations for Inertia Studio Visits and check in on what this prolific artist is up to next.

Read the full interview on their web site .

Form & Gesture II

Kim Rice is a part of a group exhibition at the Interloc Gallery in Thomaston, Maine.

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Unveiling Resistance

Kim Rice is a part of a group exhibition curated by Thomas James. She is part of an artist panel to take place August 31.

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Baltimore Fine Art Print Fair

Kim Rice was a guest speaker at the Baltimore Fine Art Print Fair.

Link to video

Being Black / Being White, Chelsea NYC

Kim Rice is a part of a dual solo exhibition presented by Accomplished Art Services. Her work can be viewed alongside Jeffrey Kent’s at 246 W. 16th Street in Chelsea, NYC. Go to beingblackbeingwhite.com to schedule a viewing appointment.

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A Thousand Words, Vol. 3

Works from Kim Rice’s Inheritance series will be shown as part of A Thousand Words, Vol. 3, a virtual exhibition that explores text as a means of commentary and communication as well as a visual art form. A physical exhibition takes place at the Essex Gallery in Baltimore in the spring of 2021.

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Solo show at the Peale Museum

Announcing a new show in October 2020 at the Peale Museum in Baltimore, Maryland. The solo exhibition will feature Kim Rice’s latest work and runs through January 2021.

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Virtual exhibition at the Peale Museum

You can view Kim Rice’s exhibition at the Peale Museum in virtual form this August. Details to come.

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New work at Artspace (solo show)

Kim Rice’s work will be featured at the Artspace gallery in Richmond, Virginia in the fall of 2019. The solo exhibition, which runs from September 27 through October 20, 2019, will include new work not previously shown.

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Contemporary Art and Social Change

Kim Rice is teaching a graduate seminar entitled "Art and Social Change" at Oklahoma University as part of the 2019-2020 Oklahoma Scholar-Leadership Enrichment Program. The course runs October 2nd through October 6th and features guest presentations from several artists and other figures active in the Oklahoma art community.

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Materials Hard and Soft – Fourth place

Kim Rice’s redlining work was awarded fourth place at the 32nd annual international juried craft exhibition put on by the Greater Denton Arts Council in Denton, Texas. Juried by Janet McCall, the show begins February 1st, 2019 and runs through March 4th.

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Data: BIG/-driven/Visualized…

The spring 2019 exhibition “Data: BIG/-driven/Visualized…” will include selections of Kim Rice’s work with redlining maps. Put on by North Illinois University Art Museum in DeKalb, Illinois, the show is guest curated by Richard Siegesmund, a professor of Art and Design Education with a focus on “the design of data reports that promote thoughtful public reflection and discussion.” The show dates are March 28 - May 17, 2019

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White Side and The Divide at the Delaware Art Museum

Kim Rice’s large works White Side and The Divide will be installed at the Delaware Art Museum throughout the fall and winter of this year. The museum's Juried Craft Exhibition opens October 20, 2018 and continues through January 27, 2019.

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O’Donnell Heights mural

Kim is the lead artist for a community-wide mural celebrating O’Donnell in Baltimore, MD.

Foundry Art Centre, Micro/Macro

Work by Kim Rice will be at the Foundry Art Centre in St. Charles, Missouri as part of the exhibit Micro Macro, juried by metalsmith Peg Fetter. The show “will display two opposites: one half focusing on small works (micro) and the other half focusing on works larger than 48 inches (macro).” The opening reception on Friday, August 17 is free and open to the public.

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And Now for Something New, White Linen Night

And Now for Something New, a new juried art exhibit hosted by LeMieux Galleries, will include work by Kim Rice. The show opens on Saturday, August 4 during the art district's annual White Linen Night. From their announcement: “This year's jurors are premier illustrator and classical realist painter, Michael Deas and interdisciplinary artist, curator and educator Jan Gilbert.” The show runs through the end of September, 2018.

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Jonathan Ferrara Gallery, No Dead Artists

Kim Rice’s latest redlining work has been selected for the 22nd annual NO DEAD ARTISTS exhibit, an “International Juried Exhibition of Contemporary Art” held at the Jonathan Ferrara gallery in downtown New Orleans. The show opens August 29 and runs through September 28, 2018.

Video courtesy of Jonathan Ferrara Gallery

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Prospect Satellite

This year’s Prospect New Orleans will include new work from Kim Rice—a 1000-square-foot fiber-art installation—as part of its triennial Satellite program. Prospect.4: The Lotus in Spite of the Swamp will feature works from a wide variety of artists exploring the creation of beauty from darkness and struggle. The show opens November 18th and runs through May 2018.

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Red,White + Blue

Several of Kim Rice’s works will be showing this spring at Red,White + Blue a national exhibition juried by Camilo Alvarez. The selection will include work from both her magazine and redlining series. The show opens March 16, 2018 and runs through April 20. Opening reception Friday, March 16 at the Brookline Arts Center in Brookline, Massachusetts.

Link to web site

Shelter

Kim Rice’s work “Redlining” will appear in the in the Jodee Harris Gallery at Seton Hill University in Greensburg, Pennsylvania as part of a collaboration with the Society for Contemporary Craft. The exhibit takes place October 26th through November 21st, 2017.

Fantastic Fibers

Kim Rice’s large-scale work White Side will be installed at the Yeiser Art Center in Paducah, Kentucky. Fantastic Fibers is “an international juried exhibition that seeks to showcase a wide range of outstanding works related to the fiber medium.” This catalog show is put on every April.

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Fictive Selves of Color

Several works from Kim Rice’s series White issues will be on display at the OU Lightwell Gallery as part of the exhibit “Fictive Selves of Color.” The show, presented by the Oklahoma Visual Arts Coalition, “explores how different colors and races contribute to Aesthetics and Ethics in society” and runs from March 6th – 24th.

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24 Works on Paper

A map from Kim Rice’s redlining series has been selected for the biennial “24 Works on Paper,” a travelling exhibition of paper-based work by contemporary artists. The show runs through the end of January 2018. See the web site for the schedule.

Link to web site

It Took A While

Kim Rice’s 11'×19' installation White Side will be exhibited this November at the Harry Wood Gallery in Tempe, Arizona, as part of the Fiber Arts Network's 2016 catalog show It Took A While. The opening reception is Tuesday, November 8.

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12×12

On September 23, Kim Rice will be among the artists auctioning their work at this year’s 12×12, an annual event held by the Oklahoma Visual Arts Coalition. Open to the public starting at 7pm.

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Concept/Survey

Curator’s Choice Award

Kim Rice’s redlining installation won the Curator's Choice Award in the 2016 Concept/Survey show curated by Adam Welch. The exhibition is showing through through July 23rd at the Hardesty Art Center in Tulsa, Oklahoma.

Link to web site

Kim Rice is a Finalist for the New Orleans Art Council Direct Purchase award. Her work will be shown during the Art+Architecture Forum in New Orleans on May 5th.

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Noche Cubana!

Two of Kim Rice's pieces will be auctioned off at Noche Cubana!, a celebration of Cuban arts and culture, including music, dance, art, and comedy. The event takes place on Saturday, April 2, at Mainsite gallery in Norman, Oklahoma.

Link to web site

Public Narrative: Story of Self, us & Now

Kim Rice's work is being shown at Mainsite gallery in Norman, OK as part of the exhibition Public Narrative: Story of Self, Us, & Now, a show curated by the 2015 Oklahoma Art Writing and Curatorial Fellows to "highlight the complexity of our stories as we look inward, to the community, and finally, to the future." (source). February 12 — March 11, 2016

Link to web site

Concept/Focus Finalist

Kim Rice is a finalist in the upcoming Concept/Focus, a triennial curated group exhibition of new work by 4 Oklahoma artists and 4 artists from a partner city in the region.

Link to web site

No Dead Artists

Kim Rice's work is being shown at the Jonathan Ferrara Gallery in New Orleans as part of the 19th annual NO DEAD ARTISTS, an international juried exhibition of contemporary art. September 2 – 26, 2015

Link to web site

Art Focus

Kim Rice is featured in the September/October issue of Art Focus Magazine.

Link to web site

Seven-State Biennial Exhibition

Kim Rice's work will be shown at the Seven-States Biennial Exhibition, opening September 26 at USAO's Nesbitt Gallery. The show will travel to the Charles B. Goddard center in Ardmore and closes out in the Musesum of the Red River in Idabel, Oklahoma on November 4.

Link to web site

View Kim’s full artist CV

Education

  • 2015 MFA, Printmaking, University of Oklahoma, Norman, OK
  • 2006 Teaching Certification K-12, Oklahoma City University, Oklahoma City, OK
  • 2003 BFA, Sculpture, University of Oklahoma, Norman, OK
  • 2001 Universidad Polytechnica, Valencia, Spain

Awards/Grants/Fellowships

  • 2023 Creativity grant, Maryland State Arts Council , MD
  • 2022 Nancy G. Unobsdkey Visiting Artist in Modern and Contemporary Art , Goucher College, Baltimore, MD
  • 2021 Sondheim Prize semi-finalist
  • 2020 Art in Suspended Animation: Ten Best Baltimore Exhibitions of 2020
  • 2019 Fourth place, Materials Hard and Soft, Appleton Arts Center, Denton, TX (Curated by Janet McCall)
  • 2018 Finalist, Kalos Visual Art Prize, Ruminate magazine
  • 2018 Third Place, National Juried Exhibit, Deleplaine Arts Center, Frederick, MD
  • 2018 Honorarium, Torpedo Factory, Alexandria VA
  • 2016 Curator’s Choice Award, Concept/Survey (Curator Adam Welch), Hardesty Arts Center, Tulsa OK
  • 2015 Artist INC Fellow, Contemporary Arts Center, Oklahoma City, OK
  • 2015 Student Award of Excellence, Oklahoma Visual Arts Coalition, Norman, OK
  • 2014—15 Graduate Student Research Fellow, Center for Social Justice, University of Oklahoma, Norman, OK
  • 2013—15 Graduate Teaching Assistantship, School of Art and Art History, University of Oklahoma, Norman, OK
  • 2014 Art Fellowship and Honorarium, Norman Arts Council, Norman, OK
  • 2014 McNeese Grant for socially engaged practice, Oklahoma Visual Arts Coalition, Oklahoma City, OK 2014
  • 2014 Museum Association Award, 100th Student Exhibition (Juror: Michael Ray Charles), Fred Jones Museum of Art, Norman, OK
  • 2013 Merit Award, Container Show, Paseo Art Space, Oklahoma City, OK
  • 2013 Honorable Mention, Seven State Biennial (regional show), Nesbitt Gallery, Chickasha, OK
  • 2013 Best in Show, Edge Art Now, IAO Gallery, Oklahoma City, OK
  • 2012 Juror’s Choice Award, 99th Student Exhibition, Fred Jones Museum of Art, Norman, OK
  • 2011 Oklahoma Visual Arts Coalition Professional Grant, Oklahoma Visual Arts Coalition, Oklahoma City, OK

Selected Solo Exhibitions

  • 2023 Liberty and Injustice, Two-person exhibition with Paul Rucker, Connect+Collect Gallery, Baltimore, MD (Catalog)
  • 2023 ReBirth of a Nation, Top of the World Gallery, Baltimore, MD
  • 2021 Being White, Accomplished Art Services Gallery, Chelsea NYC
  • 2020—21 Inheritance, The Peale Museum, Baltimore, MD (Catalog)
  • 2020 Redlining Ohio, Fitton Center for Creative Arts, Hamilton, OH
  • 2019 Inheritance I, Artspace, Richmond VA
  • 2018 The Safety Net — Richmond, Torpedo Factory, Alexandria VA
  • 2017 The Divide, Prospect Satellite, CANO Creative Space, New Orleans, LA
  • 2015 White Art, Mainsite Contemporary, Library Gallery, Norman, OK
  • 2015 White Side, Mainsite Contemporary, Norman, OK
  • 2013 Structures, Marvin Embree Gallery Oklahoma City, OK
  • 2011 Revolve, Individual Artists of Oklahoma Gallery, Oklahoma City, OK
  • 2010 Kitchen Sink, Ring of Fire Gallery, Norman, OK
  • 2005 Religious Iconography, Samson Smith and Stokes Gallery, New Orleans, LA

Selected Group Exhibitions

  • 2025 Women's Exhibition, Garrett Museum of Art, Garrett, IN
  • 2023 B23, Artscape, Baltimore, MD
  • 2023 Picturing the Constitution, Old Stone House, Brooklyn, NY
  • 2023 Angles, Richmond Gallery, Baltimore, MD
  • 2023 Studio Resident Exhibition, School 33 Gallery, Baltimore, MD
  • 2022 Art Maryland 2022, HCAC Gallery, Ellicott City, MD
  • 2022 Form & Gesture II, Interloc Gallery, Thomaston, ME
  • 2022 Form & Gesture, Silber Art Gallery, Baltimore, MD
  • 2022 Unveiling Resistance, The Galleries at CCBC, Baltimore, MD
  • 2021 No Dead Artists, Jonathan Ferrara Gallery, New Orleans, LA (curated by CCH Pounder, Laura Lee Brown, Beth Rudin DeWoody)
  • 2021 And Now For Something New, Vol. 3, Le Mieux Galleries, New Orleans, LA
  • 2020 A Thousand Words, Vol 3., Essex Gallery, Baltimore, MD
  • 2020 Women In the Arts, Latela Curatorial x Artsy, Washington, DC
  • 2019 Concrete and Adrift on the Poverty Line, Alexandria Museum of Art, Alexandria, LA (Catalog)
  • 2019 DATA: BIG/-driven/Visualized, North Illinois University Art Museum, DeKalb, IL (Catalog)
  • 2019 Introductions 2019 (online), Trestle Gallery, Brooklyn, NY
  • 2019 Materials Hard and Soft, Patterson Appleton Arts Center, Denton, TX (curated by Janet McCall) (Catalog)
  • 2018 Juried Craft Exhibition, Delaware Art Museum, Wilmington, DE
  • 2018 No Dead Artists, Jonathan Ferrara Gallery, New Orleans, LA (curated by CCH Pounder, René Paul Barilleaux, Francis H. Williams) (on YouTube)
  • 2018 And Now for Something New, Le Mieux Galleries, New Orleans, LA
  • 2018 Micro/Macro, Foundry Art Centre, St Charles, MO
  • 2018 National Juried Exhibit, Deleplaine Arts Center, Frederick, MD
  • 2018 Red, White + Blue, Brookline Arts Center, Brookline, MA (curated by Camilo Alvarez)
  • 2017 24 Works on Paper, 24 Works on Paper, Traveling Exhibit, OK (Catalog)
  • 2017 Shelter, Jodee Harris Gallery, Greensburg, PA
  • 2017 Fictive Selves of Color, Lightwell Gallery, Norman, OK
  • 2017 Fantastic Fibers, Yeiser Art Center, Paducah, KY (Catalog)
  • 2017 Equality Matters, Mildred M Cox Gallery, Fulton, MO
  • 2016 It Took A While, Harry Wood Gallery, Tempe, AZ (Catalog)
  • 2016 12×12, Science Museum of Oklahoma, Oklahoma City, OK
  • 2016 Art and Architecture Forum, New Orleans Art Council, New Orleans LA
  • 2016 24 Works on Paper, Traveling Exhibit, OK (Catalog)
  • 2016 Concept/Survey, Hardesty Art Center, Tulsa, OK (curated by Adam Welch) (catalog)
  • 2016 Faculty Show, Melton Gallery, Edmond, OK
  • 2016 Public Narrative: Story of Self, Us & Now, Mainsite Contemporary, Norman, OK
  • 2015 Seven State Biennial, Traveling Exhibit, OK (curated by James Surls) (Catalog)
  • 2015 No Dead Artists, Jonathan Ferrara Gallery, New Orleans, LA (curated by Max Fishko, Valerie Cassell Oliver, David Workman)
  • 2014 Fiberworks, Individual Artist of Oklahoma Gallery, Oklahoma City, OK
  • 2014 MFA Exhibition, Lightwell Gallery, Norman, OK
  • 2014 100th Student Exhibition, Fred Jones Museum of Art, Norman, OK (curated by Michael Ray Charles)(catalog)
  • 2013 Container Show, Paseo Art Space, Oklahoma City, OK
  • 2013 Dissociative, ShiftSpace Gallery, Wichita, KS
  • 2013 MFA Exhibition, Lightwell Gallery, Norman, OK
  • 2013 Seven State Biennial, Nesbitt Gallery, Chickasha, OK (Catalog)
  • 2013 Edge Art Now, IAO Gallery, Oklahoma City, OK
  • 2013 99th Student Exhibit, Fred Jones Museum of Art, Norman, OK
  • 2012 MFA Exhibition, Lightwell Gallery, Norman, OK
  • 2009 Out of Sight, Individual Artists of Oklahoma Gallery, Oklahoma City, OK
  • 2009 Birthday Bash, Individual Artists of Oklahoma Gallery, Oklahoma City, OK
  • 2009 Biciclette, Dreamer Gallery, Norman, OK
  • 2008 All City Art Show, Norman Performing Arts Center, Norman, OK
  • 2007 Momentum, Oklahoma Arts Coalition, Oklahoma City, OK
  • 2003 Capstone, Lightwell Gallery, Norman, OK
  • 2003 Student Exhibition, Fred Jones Museum of Art, Norman, OK
  • 2003 The War Show, Lightwell Gallery, Norman, OK
  • 2002 Student Exhibition, Fred Jones Museum of Art, Norman, OK
  • 2002 Holiday Exhibition, Crucible Gallery, Norman, OK
  • 2002 Biting The Apple, Individual Artists of Oklahoma Gallery, Oklahoma City, OK
  • 2001 Cabanyal Puertos Abiertos, Cabanyal, Valencia, Spain (International Exhibition) (Catalog)
  • 2001 Fer en Ferro, Museo del Cavos, Valencia, Spain (International Exhibition) (Catalog)

Selected Bibliography

  • 2023 Kim Rice and Paul Rucker Critique American History Through Materiality (bmoreart.com)
  • 2023 The Migration Issue, issue 15 Bmore Art magazine (bmoreart.com)
  • 2020 “Art in Suspended Animation: Ten Best Baltimore Exhibitions of 2020,” BmoreArt (bmoreart.com)
  • 2020 “Structural Flaws: Kim Rice’s “Inheritance” Visualizes Legacies of White Supremacy,” BmoreArt (bmoreart.com)
  • 2015 Lauren Scarpello. “White Art,” Art Focus Oklahoma. Sept/Oct. 2015, Vol 30, No. 5

Professional Experience

  • 2022 Nancy G. Unobsdkey Visiting Artist in Modern and Contemporary Art Goucher College, Baltimore, MD
  • 2019 Talent Enrichment Specialist, Hampstead Hill Academy, Baltimore MD
  • 2019 Guest Scholar, Art and Social Change OSLEP course,University of Oklahoma, Norman, OK
  • 2015—17 Adjunct Professor, University of Central Oklahoma, Edmond, OK
    • Beginning Drawing II: Figure and Anatomy, ART 1043
    • Intro to Drawing/Non-Art Major, ART 1013
  • 2015—16 Adjunct Professor, Oklahoma University, Norman, OK
    • Core Studio 1: Surface, ART 1033,
    • Core Studio 2: Space and Time, ART 1043
  • 2013—15 Graduate Teaching Assistant, University of Oklahoma, Norman, OK.
    • Intermediate Printmaking II ART 3753
    • Core Studio I: Surface ART-1033-900 [Instructor of Record]
    • Non-Majors: 2-Dimensional Art ARNM-1003-001 [Instructor of Record]
  • 2014 Printmaking Technician, Oklahoma Fall Arts Institute, Altus, OK
  • 2006—12 Fine Arts Teacher, Norman High School, Norman, OK (Drawing, Sculpture, Advanced Placement)

Lectures/Presentaions

Related Experience

  • 2023 Public Art Roster, Maryland
  • 2023 Mellon Initiative Steering Committee, Baltimore Museum of Art, Baltimore, MD
  • 2022 Studio Visit / Exhibition for the American Craft Council, Baltimore, MD
  • 2021—23 Contributor to the Anti-Racist Forum, Baltimore, MD
  • 2018—20 Judge for Healing Arts Exhibition at the Maryland Medical Center, Baltimore, MD
  • 2018 Lead Artist for O'Donnell Heights Mural, Baltimore, MD
  • 2015 Assisted Sarah Sense in an installation for Intertwined, Hardesty Arts Center, Tulsa, OK.
  • 2014 Participant in the artist's Undoing Racism Workshop, People's Institute for Survival and Beyond, Brooklyn, NY
  • 2014 Participated in the Installation of Orly Genger’s Red Dirt, Oklahoma City
  • 2006—13 Participant in the Oklahoma Fall Arts Institute in Altus, OK
  • 2011 Participant in Drive By Press workshop, Norman, OK
  • 2008 Large scale outside mural for Second Wind Café, Norman, OK
  • 2004 Large scale interior mural for Habitat ReStore, New Orleans, LA
  • 2004 Facilitator for “Girls be Girls”, a non-profit organization that allows at-risk youth the opportunity to express themselves through the arts. Olympia, WA
  • 2003 AmeriCorps, Habitat for Humanity, New Orleans, LA
  • 2002 Three window paintings created for the Oklahoma Committee on Economic Development, Norman, OK
  • 2002 Hand-manipulated photograph for the Norman Visitor’s Guide, Norman, OK
  • 2002 Administrative Assistant and Sales Associate for the Crucible Art Gallery and Foundry. Norman, OK